PAID TO WANDER


Showing posts with label sustainable agriculture. Show all posts
Showing posts with label sustainable agriculture. Show all posts

Wednesday, November 2, 2016

Plein Air Adventures- or- What Do Ya Think Yer Doin?

Quite often in painting on location, I set up in places that at first appear to be out of the way and quiet.
Many times, although they may not seem to be so, I have set up in spots that turn out to be on private land (or perceived to be private land) and thus am "challenged" as to- "what da you think yer doin' ?" One painter related that he would load up 5 pound bags of potatoes (being from the San Luis Valley, major Potatoville) as bribes to soften property disputes with skeptical natives.

This painting site was off on the right of way along a county road in Conejos County, Colorado. It is on the way to my friend and painter Charley Ewing's home and I have traveled it many times. I have been drawn to this old adobe set off the road nestled in some fine mature cottonwoods and check it out every trip I take. The adobe has been a repeat subject matter for me, painting it several times.
So I set up for a larger plein air panel - 16 x 20, and, as anticipated, it took two days to capture the scene. I did not have any territory issues and being within the San Luis Valley, the potato bribe thing wouldn't have worked anyway. Like trying to sell ice to an Eskimo.
What did transpire- and a partial reason it took me two days to complete- was a steady stream of folks curious as to what I was doing. They would pull over and we would blab about the area, the many adobe remnants in the neighborhood and the verdant bottom lands saturated by the acequias coming off the Conejos River.
Several of the visitors were from the Espinosa and Mestas clans, two families that pioneered this area coming up from what is now New Mexico in the 1800's. So here are some other historical tidbits that I learned during both painting days:
- The county road CR 17 is known as Espinosa Lane, named after the now-sixth-generation community that peppered the area with farmsteads, many older homes now abandoned and melting back into the earth.
- There was an attempt to renovate the adobe closest to my paint site, although not the subject of the painting. There was such an infestation of "water" snakes (garter) that they gave up.
- The subject of my painting was an original Espinosa family building, now vacant. One of the informants grandfathers was around when the Espinosas took in a frozen company of Mormons who had trekked over the Sangre de Cristos in the dead of winter. Of the 40 that left Pueblo only 17 arrived in desperate need at their doorstep. The Espinosa's harbored the travelers and butchered a calf. Shortly thereafter, the survivors helped found the town of Manassa just a few miles north.

All in all it was very poignant for me, and I hope for my visitors as wells, as we passed a pleasant day sharing the bounty of the acequias with stories and appreciation for the vibrant and verdent bottomlands along the Conejos.

- A short distance to the south of my painting spot is the community church known as La Capilla de Santo Nino which served the Espinosa community for over a hundred years. It collapsed on October 21, 2016 from old age. Very sad.
"Bounty of the Acequia" plein air oil on linen, 16" x 20"
This painting will be part of the Plein Air Painters of New Mexico 8th Annual Juried Members Show opening with a public reception at the Sorrel Sky Gallery, 125 West Palace Avenue, Santa Fe, NM, 87501 from 5 to 8 pm on Friday, Nov. 4, 2016. The show will be open for regular business hours until Nov. 27. 



Thursday, May 8, 2014

Rio Grande Healthy Living Park


Rio Grande Healthy Living Park

Agua Es La Vida, oil on linen, 16 x 20

Rivertown

I am honored in creating a painting that promotes the attributes of the Rio Grande Healthy Living Park in my Rivertown- Alamosa, Colorado.

 
 
 
 
 
 
The park will evolve on the site that belonged to the local school district- almost 40 acres. On a small section of the land, a school once stood- now torn down.
I have a history with this school. It was named after local educator Margaret Polston. I went to school with her daughter.

My daughter, in turn, went to Polston Elementary School. There are towering cottonwoods outlining the playground that were planted by a friend to shelter her son when he went to school there. Local gardeners made plots and a greenhouse and the kids learned that you can eat what you grow- and that freshness is an unparalleled treat.
There are many such stories in this town.

But the school only took up a small part of the property. Enveloping the school and playground was and is an alfalfa field. There is an abandoned river meander that is fed by a distant warm well that affords all the wetland plants and animals a home. And next to the meander, separated by a dike, is the Rio Grande. The Rio runs through this property.

For a while it looked like this remarkable real estate would transfer into private hands. After a Rivertown kerfuffle which exposed some deep feelings below the veneer of civility, this land will once again be by and for the community people- if the funds are raised to purchase it.


The Rio Grande Healthy Living Park is a complex and invigorating menagerie best explained by the architects of its creation. https://www.facebook.com/healthylivingpark?fref=nf
 
One of the features that I am looking forward to is the restored wetlands- removing non-native plants, encouraging wildlife friendly practices and making it a continuing educational feature to Rivertown. It will educate and nurture both children and adults.

Some notes about the painting-

I chose the vantage point from the elevated river dike looking east towards our all-star mountain celebrity- Mount Blanca. It looms over us most days when not obscured by storms- it winks at you from out of the corner of your eye.

 
 
 
 


The wetlands are indeed a treasure. This slough drains into the river and is fed by a warm well coming from the community artesian swimming pool. In the winter this warm stream offers open water in a land that at times has none elsewhere.
One winter I was perplexed to spot a Great Blue Heron at this open ribbon of water. I had only recently started learning about birds and had seen these large birds in great numbers in Florida. But here, in the San Luis Valley- in the bitter sub-zero weather that persists for weeks on end- what was this bird doing here? Then I saw the heron deftly jab into the water and spear up a minnow. These fishies thrive in the warm winter water- and sustain these large elegant birds in the cold of winter.

 
 
 
 
 
 


The moon reminds us of the subliminal and massive natural rhythms that, although we try, cannot for long be ignored. The rythms are there whether we acknowledge them or not.

 
 
 
 
 
 
 
 
Then there is the water. Agua es la vida. In the desert, the oases that the Rio creates is life.

Alamosa and the San Luis Valley prosper because of our engineered rerouting of the Rio Grande. We convert the Rio into sustenance that feeds thousands- waterfowl, livestock and crops. This tradition will continue with the Healthy Living Park.



My wish is that my inspired painting will inspire you to help as well. To give your support go to https://www.healthylivingpark.org